On a related note, has anyone tried using e.g. VMAF as a metric for encoding “quality”? In theory that’s what it’s made for, so it would be interesting if the numbers matched up with reality as a way to measure different releases.
Yes. There’s a gui software called ‘Nmkoder’ that has an encoder built in called AV1AN. It basically cuts the entire video into a bunch of short segments, renders several copies of each short segments at different CRF values (basically Handbrake’s RF values), gets the VMAF for each segment, saves only the one thats closest matches your Target VMAF, and stitches it all together at the end.
It works for AV1 and HEVC, and let’s you pause and resume an encode at any time, though the whole process is quite a bit slower.
The real problem though is that doesn’t produce an even size between source materials of different sizes. For example: a 5 GB Amazon screen rip can encode down to 1.5 GB at 95 VMAF or so. However a 60 GB bluray rip encodes down to 24 GB.
One thing I really look for in an encode is a 5-15 MBPS HEVC video stream, so this doesn’t really get what I’m wanting in most cases. It is fun to experiment with though.
You are not logged in. However you can subscribe from another Fediverse account, for example Lemmy or Mastodon. To do this, paste the following into the search field of your instance: !piracy@lemmy.dbzer0.com
⚓ Dedicated to the discussion of digital piracy, including ethical problems and legal advancements.
On a related note, has anyone tried using e.g. VMAF as a metric for encoding “quality”? In theory that’s what it’s made for, so it would be interesting if the numbers matched up with reality as a way to measure different releases.
Yes. There’s a gui software called ‘Nmkoder’ that has an encoder built in called AV1AN. It basically cuts the entire video into a bunch of short segments, renders several copies of each short segments at different CRF values (basically Handbrake’s RF values), gets the VMAF for each segment, saves only the one thats closest matches your Target VMAF, and stitches it all together at the end.
It works for AV1 and HEVC, and let’s you pause and resume an encode at any time, though the whole process is quite a bit slower.
The real problem though is that doesn’t produce an even size between source materials of different sizes. For example: a 5 GB Amazon screen rip can encode down to 1.5 GB at 95 VMAF or so. However a 60 GB bluray rip encodes down to 24 GB. One thing I really look for in an encode is a 5-15 MBPS HEVC video stream, so this doesn’t really get what I’m wanting in most cases. It is fun to experiment with though.