Read about those DCP drives! Maybe cammers are just burning theaters one by one and careful not to return for a long time if ever.
A theater operator doing the recording would be wildly risky it seems unless watermarking has been defeated. Visual and audio watermarking perhaps.
Seems like they’re very comfortable with applying watermarks at least for those betting sites!
Might have to make a new post about this:
How are there still cams if there’s been anti-piracy watermarks reported on since at least 2006?
Maybe the pirates never hit the same theater twice in a row… travel to different cities… only record at any given theater once every few years… then you’d need resources to catch somebody I’d guess.
I expect not all theaters can afford to send guys in with night vision goggles:
Maybe that’s outdated now since they can just throw up IR cameras:
Corrupt theater manager or shifty projectionist: no camera/security concerns, but still watermark concerns
Regular theatergoer: both camera/security concerns AND watermark concerns
Gutsy pirates out there!
Isn’t the FBI supposed to be non-political?
Yet here they are trying to own Z-Libs