arstechnica.com/gadgets/2024/0…

Seems like someone needs to pirate their content back.

A studio should be able to afford a good LTO tape drive for at least one backup copy; LTO tapes last over 30 years and suffer less from random bitrot than spinning disks. Just pay someone to spend a month duplicating the entire archive every couple of decades. And every decade you can also consolidate a bunch of tapes since the capacity has kept increasing; 18TB tapes are now available: $/MB it’s always far cheaper to use tape.

They could have done that with the drives, but today you’d have to go find an ATA IDE or old SCSI card (of you’re lucky) that’ll work on a modern motherboard.

But I’d guess their problem is more not having a process for maintaining the archives than the technology. Duplicating and consolidating hard drives once a year would have been relatively cheap, and as long as they verified checksums and kept duplicates, HDs would have been fine too.

@deegeese@sopuli.xyz
link
fedilink
English
52M

Easy work for a digital archivist.

Music studios didn’t have those in the 1990’s.

I agree; it probably didn’t occur to them. But it was a fairly common job in IT in the 90’s. Not a career or job description, maybe, but a duty you got saddled with.

Piracy: ꜱᴀɪʟ ᴛʜᴇ ʜɪɢʜ ꜱᴇᴀꜱ
!piracy@lemmy.dbzer0.com
Create a post
⚓ Dedicated to the discussion of digital piracy, including ethical problems and legal advancements.

Rules • Full Version

1. Posts must be related to the discussion of digital piracy

2. Don’t request invites, trade, sell, or self-promote

3. Don’t request or link to specific pirated titles, including DMs

4. Don’t submit low-quality posts, be entitled, or harass others



Loot, Pillage, & Plunder

📜 c/Piracy Wiki (Community Edition):


💰 Please help cover server costs.

Ko-Fi Liberapay
Ko-fi Liberapay

  • 1 user online
  • 134 users / day
  • 296 users / week
  • 975 users / month
  • 3.44K users / 6 months
  • 1 subscriber
  • 3.41K Posts
  • 82.4K Comments
  • Modlog