athos77
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“I know there’s a ton of skepticism about Meta entering the fediverse — it’s completely understandable,” Cottle says. “I do want to kind of make a plea that I think everyone on the team has really good intentions. We really want to be a good member of the community and give people the ability to experience what the fediverse is.”
If I wanted Facebook shitposts and forwards from KlanMa, I’d’ve joined Facebook. And I don’t believe Meta has good intentions, I believe they want to overwhelm the fediverse, and I believe they want to make money. Middle-manager Cottle and their team may have good intentions, but corporate certainly doesn’t, and I certainly don’t trust their users.
It was pretty obvious that Trump would try to scam Musk. Fortunately, given his own difficulties, Musk was unlikely to agree - we’re just fortunate these bills are coming due so far in advance of the election. And also that, given Musk’s foreign birth, he’ll never be eligible to be president or vice president (something that I’m sure sticks in his craw).
Seeds fall off quickly on public trackers and the people who do long-term seeding on publics tend to end up seeding larger libraries. So you’ll often be the one person in the world seeding a large number of torrents. Multiple leeches is only a theoretical help because when it finally seeds out, half the people quit immediately, some hang around to seed to the last leechers, and a couple hang around for a week or two before feeling they’ve done their due diligence and signing off. Things are quiet on that torrent for a month or so, and then a new leech shows up and the whole thing repeats again. It’s why I stopped seeding on publics: it’s extremely demoralizing to finally get copies of something out to the dozen or so people who have accumulated, only for every one of them to fuck off right after they finish.
getting in is not very easy
Dafuq? They run interviews twice a week, and the questions are dead easy.
many torrents are behind a VIP-wall
Which you just have to wait a few weeks to get past the account age restriction and hand over a few bonus points, which are trivial to get. Just bookmark anything you can’t get and have a little patience.
Nah, both posts came through in public. I’ve applied for an aussie.zone account. It’s getting late here anyway, so I’ll head to bed soon and come back tomorrow to see if it’s approved.
If not (maybe your admin takes weekends off to enjoy the weather!) - I see that your account is five months old, maybe we could PM on reddit? We’ll sort it out tomorrow, anyway :)
There are fan reconstructions of all the missing episodes, where they used the surviving audio recordings and laid in surviving video clips and John Cura’s telesnaps - various scene, set, and costume photos that were taken for continuity. Some reconstructions also use animations or small home-filmed segments.
Short answer: I’d probably start with TVC for video stuff and MAM for audio stuff. They definitely won’t get you all the way there, but they’d be a decent enough start for a collection and ratio isn’t hard on either one.
Longer answer: The main series itself and the theatrical movies shouldn’t be too hard, and even the main spinoffs (K9 and Company, Torchwood, The Sarah Jane Adventures, even Class) shouldn’t be too bad. I think where you’re going to run into issues are things like the fan reconstructions of lost episodes, the various animated stories, short stuff like the Tardisodes, there’s the behind the scenes programmes (Doctor Who Confidential, Totally Doctor Who, Doctor Who Extra, etc), the Red Nose specials, etc.
Then you get into the other stuff - official BBC stuff but not-on-video, all the fan stuff made during the lost years that had official / semi-official / unofficial-but-winked-at licensing, etc: There have been official BBC audio plays and radio dramas. I think most of Big Finish audios have leaked, though collecting and keeping up with them would be a chore - it’s a pretty big collection, and they still make multiple stories every month. The ReelTime and BBV videos can probably be tracked down with a bit of effort (I do like the Myth Makers series). I don’t know if any of the theatrical productions have been professionally filmed, though there’s likely amateur video (but watching an audience video is often tedious and I’m not sure how much you want to get into this). Etc, etc.
If you want to get even further into things, there are novels and comics and annuals and all sorts of other stuff. I guess the question is, where do you want to start, and how far do you want to go?
Again, personally, I would start with TVC and MAM and see how far I wanted to go. I mean, the show has changed a lot over the years, some of it’s missing, it’s in various formats, stuff in different formats us considered canonical or non-canonical depending on the person. Even if you’re willing to sit through black-and-white video recordings from the William Hartnell years, do you want to sit through fan reconstructions of ten of the twelve episodes of “The Daleks’ Master Plan”? Do you want to read Lungbarrow in preparation for the TV movie? It’s a long, complex, and time-consuming continuity.
Blame FedEx, and Amazon.
So … Once upon a time, you’d get to bring one or two checked bags for free. Then FedEx came along and you could ship documents overnight (except it was really expensive). But they started to bring costs down and it became more reasonable to ship stuff that way, at which point the USPS, UPS and other carriers had to start offering similar options or risk becoming the second or third choice carrier. But they needed a way to quickly move letters and packages around the country without having to buy an entire fleet of airplanes.
And then a bright person said, “Hey, why do they have to be our airplanes?” And they went to United and American and all the other carriers and said, “Hey, we want to buy space in your baggage holds, and we’re willing to pay!” And suddenly the space under the plane where they tossed people’s bags stopped being a way to lose money (did to the extra fuel needed for the extra weight), it became a revenue stream, it was profitable, and the airlines rejoiced.
But now every suitcase a passenger brought up meant less space for those lovely, lovely packages. So the airlines started restricting suitcases - number, size, weight, whatever they could do to create more room for packages - and the start of Amazon only meant even more packages that wanted space. And other companies wanted to compete with Amazon, and packages increasingly needed timely delivery to ever more remote parts of the country.
Anyway, the upshot is that - in addition to squeezing in ever more passengers - nowadays, when you pay to bring along an extra suitcase or oversized/ heavy item, the airlines are actually charging you some of the revenue that they’re losing because that space is no longer available to carry lovely, lovely packages.
Have you tried freedb? It’s had the majority of albums I’ve needed to tag, even stuff like female blues artists of the 1920’s. I tagged and renamed the files on about 300 albums in a couple hours, so for me, yeah, it was a manual process but it was still quicker and easier than searching for and re-downloading a similar number of albums. But you do you - it’s your music!
Sure - here you go!
Didn’t they find that there hadn’t been a surge in retail theft, that the “report” it was based on combined every source of shrink - including employee theft, retail theft, writing off stuff that spoiled in the store whether due to improper storage or inability to sell, writing off stuff that the managers over-ordered or mis-ordered, stuff that was exposed to mice and rats, etc etc etc. And that basically the “surge in retail theft” was actually just a cover to make managers feel better about mis-managing their stores?
Ah, yes, there it is. Funny how the corpos are still leaning hard on their discredited “report”.