His style has been requested over 400,000 times, even surpassing legends like Picasso and Da Vinci—all without his consent.
Greg Rutkowski, a digital artist known for his surreal style, opposes AI art but his name and style have been frequently used by AI art generators without his consent. In response, Stable Diffusion removed his work from their dataset in version 2.0. However, the community has now created a tool to emulate Rutkowski’s style against his wishes using a LoRA model. While some argue this is unethical, others justify it since Rutkowski’s art has already been widely used in Stable Diffusion 1.5. The debate highlights the blurry line between innovation and infringement in the emerging field of AI art.
Humans are also machines, biological machines, with a neurology based on neurons and synapse. As pointed out before, human “creativity” is also a result of past external consumption.
When AI is used to eventually make a movie, it will use more than one AI model. Does that make a difference? I guess your “one person” example is Scorsese’s “auteur”?
It seems we are fetishizing biological machines over silicon machines?
@selzero@glenatron@raccoona_nongrata@fwygon no. Human relationships of cocreation over purely extractive ones. It’s not the biology (though humans have human relevant social drives simple algorithms don’t), it’s the relationships.
It’s obscuring that as if these clusters of Gpus care about creating and form relationships based on them that is so offensive.
@selzero@glenatron@raccoona_nongrata@fwygon it’s biological the way zoology is physics. Technically true but so deeply ignorant of the orders of magnitude of history and emergent complexity for that also to not be relevant. It’s a profoundly reductive way to look at things to the point of missing their fundamental nature.
So Doug what you are saying is one of these things takes in external data, processes it, synergies it, and exports a derivative version, and the other thing is the machine?
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@aredridel @glenatron @raccoona_nongrata @fwygon
Humans are also machines, biological machines, with a neurology based on neurons and synapse. As pointed out before, human “creativity” is also a result of past external consumption.
When AI is used to eventually make a movie, it will use more than one AI model. Does that make a difference? I guess your “one person” example is Scorsese’s “auteur”?
It seems we are fetishizing biological machines over silicon machines?
@selzero @glenatron @raccoona_nongrata @fwygon no. Human relationships of cocreation over purely extractive ones. It’s not the biology (though humans have human relevant social drives simple algorithms don’t), it’s the relationships.
It’s obscuring that as if these clusters of Gpus care about creating and form relationships based on them that is so offensive.
@aredridel @glenatron @raccoona_nongrata @fwygon
I don’t understand, can you elaborate please. How is it not biological?
@selzero @glenatron @raccoona_nongrata @fwygon it’s biological the way zoology is physics. Technically true but so deeply ignorant of the orders of magnitude of history and emergent complexity for that also to not be relevant. It’s a profoundly reductive way to look at things to the point of missing their fundamental nature.
@aredridel @glenatron @raccoona_nongrata @fwygon
So, a human being a link in the chain of this historical cultural development of creation, is “more valuable” than a machine doing that?
Who makes these rules?
There is some kind of value structure at play here that I have not been made privy to?
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@doug @aredridel @glenatron @raccoona_nongrata @fwygon
So Doug what you are saying is one of these things takes in external data, processes it, synergies it, and exports a derivative version, and the other thing is the machine?
No wait, the other thing is the human?
… Wait…
@doug @aredridel @glenatron @raccoona_nongrata @fwygon
Imagination *IS* the processing of retained information to create a derivative.
@selzero @doug @glenatron @raccoona_nongrata @fwygon not just: it’s about relationships. Nearly all art is social.