This is not a criticism - I love how much attention this game has been getting. I’m just not understanding why BG3 has been blowing up so much. It seems like BG3 is getting more attention than all of Larian’s previous games combined (and maybe all of Obsidian’s recent crpgs as well). Traditionally crpgs have not lit the world on fire in this way. Is it just timing of the release? Is it a combo of Divinity fans and new D&D fans and Baldur’s Gate oldheads all being stoked about this release for their own reasons? Or something else?
Note:I have not played it yet myself, just curious what folks think?
See I’ve been seeing this take in the headlines, but this doesn’t seem like enough to me. Folks have been sick of microtransaction-heavy games in the same way for at least 2 years now, and most studios (outside of the ones you listed) have been releasing games that are light on microtransactions. The System Shock Remake is a good comparison point - it was a modern release in a traditionally niche PC genre, it reviewed very well, and to my knowledge it has no DLC. I guess it didn’t release on console yet, so maybe that’s a key difference?
The difference is that System Shock Remake is as the name implies: a remake, of a very old game no less. Baldur’s Gate 3 is a full on modern AAA game, with all the bells and whistles. It doesn’t need to hide behind nostalgia, it can stand head to head with all the other big games out there. And it comes as the successor to the Divinity games which themselves already were massively popular.
Demon Souls might be better comparison here, started out as a rather niche PS3 title, build a fan base over the years, had numerous sequels and follow ups that all matched or exceed the quality, and Elden Ring is a gigantic hit now.
I guess doing quality games for a decade or more just accumulates a lot of fans and positive word of mouth, so much that even people that aren’t hardcore into the genre get sucked in.
To be fair, System Shock remake is of incredibly niche interest. (I speak from personal experience being someone who was waiting a long time for it, heh.)
The style of this game hems closer to Dragon Age or Mass Effect in presentation, and those are much more popular game series, by far. So naturally it appeals to fans of those series, of which there are quite large fanbases.
I think that’s what I’m gathering - it’s that the increased production value has signaled to the mainstream gamer audience that “this is a Mass Effect”, and that is a powerful marketing message. The last game of that type was…Dragon Age Inquisition? So yeah, people have been starving for another one of these.
Well damn, I think we solved it. Larian basically reverse-engineered Bioware’s origin story, and this release is them fully stepping into old Bioware’s shoes.
Aside from it just being a very good game (a new game in the all-time top 10 over at Metacritic is going to be news regardless), if you’re hanging out in gaming enthusiast discussion a lot, there are a few other things going on that explain why it’s generating so much buzz.
It came out at a lull in the release calendar. August isn’t typically a hot month for gaming unless you’re an NFL fan. It also ended up being a de facto console exclusive, so once the game started blowing up, the usual console war chatter spun up with it.
The other dimension–and one that surprised me–is it fed the “developers vs. gamers” spat to the point where it’s been making headlines again. As you’ve said, one price for admission games have been coming out more, but I think there are some sour grapes around over Larian’s successful graduation from AA by way of passion projects. I invite these developers to join in celebrating this release, as the success of games like these are bound to get more of the kind of game they’d rather work on greenlit.
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See I’ve been seeing this take in the headlines, but this doesn’t seem like enough to me. Folks have been sick of microtransaction-heavy games in the same way for at least 2 years now, and most studios (outside of the ones you listed) have been releasing games that are light on microtransactions. The System Shock Remake is a good comparison point - it was a modern release in a traditionally niche PC genre, it reviewed very well, and to my knowledge it has no DLC. I guess it didn’t release on console yet, so maybe that’s a key difference?
The difference is that System Shock Remake is as the name implies: a remake, of a very old game no less. Baldur’s Gate 3 is a full on modern AAA game, with all the bells and whistles. It doesn’t need to hide behind nostalgia, it can stand head to head with all the other big games out there. And it comes as the successor to the Divinity games which themselves already were massively popular.
Demon Souls might be better comparison here, started out as a rather niche PS3 title, build a fan base over the years, had numerous sequels and follow ups that all matched or exceed the quality, and Elden Ring is a gigantic hit now.
I guess doing quality games for a decade or more just accumulates a lot of fans and positive word of mouth, so much that even people that aren’t hardcore into the genre get sucked in.
To be fair, System Shock remake is of incredibly niche interest. (I speak from personal experience being someone who was waiting a long time for it, heh.)
The style of this game hems closer to Dragon Age or Mass Effect in presentation, and those are much more popular game series, by far. So naturally it appeals to fans of those series, of which there are quite large fanbases.
I think that’s what I’m gathering - it’s that the increased production value has signaled to the mainstream gamer audience that “this is a Mass Effect”, and that is a powerful marketing message. The last game of that type was…Dragon Age Inquisition? So yeah, people have been starving for another one of these.
Well damn, I think we solved it. Larian basically reverse-engineered Bioware’s origin story, and this release is them fully stepping into old Bioware’s shoes.
Quite fitting considering BioWare made Baldurs Gate and Baldurs Gate II before they were acquired by EA and made into a shell of their former glory.
Aside from it just being a very good game (a new game in the all-time top 10 over at Metacritic is going to be news regardless), if you’re hanging out in gaming enthusiast discussion a lot, there are a few other things going on that explain why it’s generating so much buzz.
It came out at a lull in the release calendar. August isn’t typically a hot month for gaming unless you’re an NFL fan. It also ended up being a de facto console exclusive, so once the game started blowing up, the usual console war chatter spun up with it.
The other dimension–and one that surprised me–is it fed the “developers vs. gamers” spat to the point where it’s been making headlines again. As you’ve said, one price for admission games have been coming out more, but I think there are some sour grapes around over Larian’s successful graduation from AA by way of passion projects. I invite these developers to join in celebrating this release, as the success of games like these are bound to get more of the kind of game they’d rather work on greenlit.