Yeah, as someone who hasn’t played Starfield and has no interest in playing it, all their criticisms were just saying they didn’t care for the style starfield was going for. Which is fine, but that doesn’t make it a bad game.
It could be that “NASA punk” is boring to 99/100 people, but that doesn’t mean a game in that style is bad. I think we can all agree that games that are enthralling to a very niche set of people are a good thing, because we all want that game to be for us. We don’t want or expect every game to be equally enthralling to every person.
Starfield could have been a great game. But the general route Beth has taken with Fallout, and continued in Starfield, doesn’t appeal to me. Pointless building filler, environmental storytelling over actual storytelling, radient quests everywhere and so on.
I have no doubt they’ll do the same with TES. Just half-assing it really. Skyrim was already pretty flat, so…
Yeah, Morrowind was mind blowing when it came out. Then I skipped Oblivion, and Skyrim, mechanically, wasn’t that much of a leap over Morrowind. Sure it looked better and had voice acting, but it still feels like a static world. I wouldn’t consider Witcher 3 to be quite the same genre as TES, but imo W3 raised the bar for my expectations from Bethesda. So far I think they still have not made a game as good as W3.
No don’t you understand? They gathered two other people, who work directly with them reviewing games the same way they do. If they don’t like it it means it’s a bad game. Obviously!
Personally I feel that way about Morrowind - mechanically it’s like a stripped down, worse version of Daggerfall while also being an inferior implementation of a fully 3d game than Oblivion.
Morrowind is imo the best from a gameplay mechanics perspective. The utility magic alone was such a huge loss for future games.
I could cast levitation, walk up to the moon prison, magically open the lock, use chameleon to sneak inside, steal stuff from 30 feet away with telekinesis, and if the guards find me, jump down with slowfall and then escape underwater with waterbreathing.
Of all the TES games Oblivion has aged the worst. If you didn’t play it at the time its really hard to be objective about it now. Too much Bloom and ugly potato faces combined with its floaty, clunky combat make it a chore to play today. Game had some great quest writing though and Shivering Isles is a GOAT expansion. It also has an undeniable, if somewhat unintentional, goofy charm to it that I love.
At the time a lot of Morrowind fans hated it for going against established lore and “dumbing down” the series, but it did well critically and was generally well received by the public. It got a lot of people, including myself, into the series. I went back and played Morrowind and loved it so I can see a lot of Oblivion’s weaknesses more clearly, but I still have a soft nostalgic spot for it in my heart.
I absolutely agree with you. And I did play it back when it came out.
There’s a few more things that goes in the “Meh”-pile of changes Oblivion brought to the table. Like the boundless fast-travel system and streamlining magic (although I did like the quick-cast mechanic. But that got scrapped as fast as it was implemented with Skyrim) and so on.
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It’s all a matter of personal taste. But yeah, Beth’s best games are definitely in the past.
Yeah, as someone who hasn’t played Starfield and has no interest in playing it, all their criticisms were just saying they didn’t care for the style starfield was going for. Which is fine, but that doesn’t make it a bad game.
It could be that “NASA punk” is boring to 99/100 people, but that doesn’t mean a game in that style is bad. I think we can all agree that games that are enthralling to a very niche set of people are a good thing, because we all want that game to be for us. We don’t want or expect every game to be equally enthralling to every person.
For me, the “NASA punk” wasn’t the turn off.
Starfield could have been a great game. But the general route Beth has taken with Fallout, and continued in Starfield, doesn’t appeal to me. Pointless building filler, environmental storytelling over actual storytelling, radient quests everywhere and so on.
I have no doubt they’ll do the same with TES. Just half-assing it really. Skyrim was already pretty flat, so…
Yeah, Morrowind was mind blowing when it came out. Then I skipped Oblivion, and Skyrim, mechanically, wasn’t that much of a leap over Morrowind. Sure it looked better and had voice acting, but it still feels like a static world. I wouldn’t consider Witcher 3 to be quite the same genre as TES, but imo W3 raised the bar for my expectations from Bethesda. So far I think they still have not made a game as good as W3.
Witcher 3 is a CDProjectRed game.
I don’t think Beth’ is capable of making a game even close to The Witcher 3. XD
No don’t you understand? They gathered two other people, who work directly with them reviewing games the same way they do. If they don’t like it it means it’s a bad game. Obviously!
People will point at Skyrim and Morrowind to showcase how much better their older games were, but pretend Oblivion didn’t happen. :P
Oblivion is the weird transition point, ngl.
Personally I feel that way about Morrowind - mechanically it’s like a stripped down, worse version of Daggerfall while also being an inferior implementation of a fully 3d game than Oblivion.
Morrowind is imo the best from a gameplay mechanics perspective. The utility magic alone was such a huge loss for future games.
I could cast levitation, walk up to the moon prison, magically open the lock, use chameleon to sneak inside, steal stuff from 30 feet away with telekinesis, and if the guards find me, jump down with slowfall and then escape underwater with waterbreathing.
Of all the TES games Oblivion has aged the worst. If you didn’t play it at the time its really hard to be objective about it now. Too much Bloom and ugly potato faces combined with its floaty, clunky combat make it a chore to play today. Game had some great quest writing though and Shivering Isles is a GOAT expansion. It also has an undeniable, if somewhat unintentional, goofy charm to it that I love.
At the time a lot of Morrowind fans hated it for going against established lore and “dumbing down” the series, but it did well critically and was generally well received by the public. It got a lot of people, including myself, into the series. I went back and played Morrowind and loved it so I can see a lot of Oblivion’s weaknesses more clearly, but I still have a soft nostalgic spot for it in my heart.
I absolutely agree with you. And I did play it back when it came out.
There’s a few more things that goes in the “Meh”-pile of changes Oblivion brought to the table. Like the boundless fast-travel system and streamlining magic (although I did like the quick-cast mechanic. But that got scrapped as fast as it was implemented with Skyrim) and so on.
Oblivion is my personal favorite so definitely up to personal interpretation.