One of the supposed justifications for the intellectual monopoly called copyright is that it drives creativity and culture. In the last few weeks alone we have had multiple demonstrations of why the opposite is true: copyright destroys culture, and not by accident, but wilfully. For example, the MTVNews.com site, along with its sister site CMT.com, …
One of the clearest demonstrations of how copyright is actively harmful is the lawsuit that four of the biggest publishers brought against the Internet Archive. As a result of the judge’s decision in favour of the publishers – currently being appealed – more than 500,000 books have been taken out of lending by the Internet Archive, including more than 1,300 banned and “challenged” books. In an open letter to the publishers in the lawsuit, the Internet Archive lists three core reasons why removing half a million ebooks is “having a devastating impact in the US and around the world, with far-reaching implications”.
Overhauling copyright is not the same as getting rid of copyright. How about those artists that make original art, graphic novels or movies, how are they supposed to sustain themselves? Are you saying that the copyright is held too long?
So? If you spent years making a movie, don’t you think you should keep the rights for the movie for awhile? I have many friends that have careers with their style of art.
I’m not against piracy in general, you should absolutely go after the evil corporations. I’m saying that for the small time artist, they need protections.
I’m fairly sure that at this point pirating has been shown to lead to increased sales, even of small scale productions.
Also, no one said that people can’t keep the rights for a while, just that if you don’t let people access those things you don’t get to prosecute them for making the art available.
Are you saying that the copyright is held too long?
I personally think so. 20-30 years for the authors would be enough, in my opinion. For company held copyright, it should be 8-12 years, counting from the date of creation - transferring the rights back to an individual would NOT give any extra time
That’d make basically every game and movie become public domain after a decade or so. If you applied 30 years of copyright to everything, nowadays we’d have public access to every game released up to 1994, which means the majority of the SNES and Mega Drive/Genesis catalogs.
Too bad any change wouldn’t apply retroactively, so we’d still have to wait for the 2030s to come by before 1940s stuff becomes public domain.
These changes could be applied retroactively; this isn’t like creating an ex post facto law and then jailing people for breaking a law that didn’t exist at the time of the event.
I agree with 20-30. Stuff I’ve sold 20 years ago I’m not going to touch again ever. If someone gets creative with it , go for it. In my opinion.
It can be a tough call depending on what type of creation it is. I’m more undecided on how to limit ongoing properties. Life of creator? I don’t know. That’s tough.
I think for ongoing properties, it could create an interesting competition between different companies/artists, and I’d expect the original creators to fully cash in on “I’m the creator of [whatever], this is the real canon!” in order to keep loyal customers/fans
I fully expect game companies to not like this one bit, because live service games, like World of Warcraft or Fortnite, would, sooner or later, have to release source code in the public domain, allowing anyone to check it, create identical, better or worse clones or, worse, hacking tools that might still work on the more current version.
For stuff like the current offering of Adobe that relies so fucking much on “the cloud”, now that would be tricky and another significant battle, as they’d eventually have to give up the code for Illustrator, Photoshop, etc, as well as whatever server software their cloud uses, or point to said cloud’s owner. The same would apply for Autodesk, Corel, Microsoft, Apple and Google. Imagine finally having an open source Windows XP! 😆
EDIT: What is a lot more likely to become problematic is server-side bank software and some government software that is used for a country’s respective army or intelligence services. Boy, THOSE will definitely fight, or want a very specific clause for their cases, which makes sense.
The purpose of copyright is to promote science and the useful arts. The purpose is to get art and inventions into the public domain. The purpose is not “to get artists paid”. Getting them paid for their works and discoveries is the method by which copyright achieves its purpose. It is not the purpose itself.
If they are only interested in keeping their works proprietary; if they are uninterested in pushing them into the public domain, they are not achieving the purpose for which copyright exists. They do not qualify for copyright protection. They can get bent.
Says someone that has never made anything. Do you think art, music, etc. comes magically out of nowhere? I don’t really care to fight about what the original intent of copyright is, artists and every person should own their own bodies, likeness, voices and creative outputs.
I don’t really care to fight about what the original intent of copyright is,
Then you can get bent.
Art and invention benefit the whole of humanity. A work whose sole beneficiary is its creator does not qualify as art or invention, and deserves no protection.
The current copyright system is absurd, but protecting an artist’s work in the short term is what copyright was meant for originally. 70 years post death is way beyond ridiculous, but something like 5 years from conception makes sense. That way a creator gets a short period to profit off their work while it’s protected, and then it would enter public domain and anyone could do as they wish with it.
Unfortunately it would still allow a situation where someone presents a screenplay to a studio, and gets turned down, and then 5 years later the studio makes a movie from that screenplay and makes a billion dollars without the creator getting anything from it. That’s what copyright is meant to prevent, but it has definitely gotten twisted and corrupted over the years, mostly thanks to Disney.
Exactly. I don’t have a problem with artists profiting from their work. I don’t have a problem with their temporary exclusivity. The problem I have is when they never intend for that work to belong to the people; when they think they can maintain control over an idea long after it has become “culture”.
For the problem you mention, I would suggest that any studio who has been offered the work during the five year period owes royalties for a 5-year period after the studio publishes the work, even if it has since entered the public domain. Something along those lines would likely become a standard clause between the screenwriter’s guild and the studios, and doesn’t necessarily need to be enacted in law.
I wouldn’t be opposed to a longer period for some major works. Start with a standard, 5-year period from the time of original publication, then allow an extended copyright registration with an exponentially increasing annual fee. A few additional years would likely be affordable. The fifth, possibly. The sixth, only for the most profitable franchises, and the seventh being a large fraction of the national GDP. If James Cameron wants to pay for the entire military establishment through the proceeds of Avatar III, he can get one more year of protection.
On the flipside, I think the Internet Archive should stick to archiving stuff. “Lending out” books without asking for permission and without owning the copyright, isn’t the best move. And I don’t think it’s aligned well to the core concept of the Internet Archive.
How long do you think copyright should be? It was originally 14 years in the United States.
The length of copyright protection depends on several factors. Generally, for most works created after 1978, protection lasts for the life of the author plus 70 years. For anonymous works, pseudonymous works, or works made for hire, the copyright term is 95 years from the year of first publication or 120 years from creation, whichever comes first.
Do you have any exact statements from them? Because I would like to know more.
I rarely hear about authors/artists talk about copyright other than, when they talk about what license they use or them complaining because they felt that their work wasn’t infringing on other artists copyright since it was transformative.
Robert Jordan took a long time finishing his Wheel of Time series- he actually died and Brandon Sanderson had to write the last three books
GRRM is still writing his series.
My point is that they would say that time proposed is not enough because they take a long time to write.
Additional context:
Robert Jordan’s first book for the Wheel of Time series, The Eye of the World, was published in 1990. His last book, A Memory of Light, was published in 2013. He died in 2007 and a lot of fans, me included, thought the series was also dead but Jordan’s wife brought on Sanderson to finish it. And he did such a great job writing in Jordan’s style that some think he did Jordan better than Jordan did.
GRRM wrote A Game of Thrones which was published in 1996 which is the first book of A Song of Ice and Fire. His latest book in the series, A Dance with Dragons, was published in 2011 and only book five of seven proposed books for the series. Three series was originally going to be a trilogy so we’ll see if it ends at seven. The Wheel of Time series was also supposed to be a trilogy when Jordan started it.
No easy solutions but my general guideline would be that both copyright and patents should never last more than half the retirement age of a current generation, calculated via actuarial tables or some trustable scientific method.
The rationale is simple: the ultimate purpose of both is (or, well, should be) to promote creation so that society in general can be participant of the resulting effects. Half the retirement age not only is a good compromise between giving creator control and giving at least half of society the opportunity to enjoy the public good result of creation within their lifetime and within their fair opportunity to earn wages, in particular in such cases as eg.: big pharma and medications, but also promotes that big creators, such as corporations, act towards the public good of lengthening life and providing good living standards for the rest of society.
The Internet Archive reached too far with the lending aspect. While the goal of sharing is laudable, no one was really surprised by this decision. 🏴☠️🦜
The books they shared still had DRM on them. As we all know, if it has DRM you don’t own it. They never gave away any book, so I don’t see what they did wrong.
If the publishers win, I hope every book they publish as long as they exist gets torrented into oblivion leading authors to ditch them in favour of self publishing
You should be legally required to offer content you have on a copyright or else allow people to “pirate” it. The same way you must defend trademarks. If you don’t actually offer content you have the copyright for them you shouldn’t be allowed to prevent people from distributing it as abandonware.
So literally every doodle you make and anything you write must be available for purchase? Because you have a copyright on ALL that stuff. Copyrights are automatic.
Your diary? Copyrighted.
Your margin scribbles while you’re on the phone? Copyrighted.
That furry midget hentai that you draw for your own “entertainment”? Well, you get the point.
Granted, the copyright system is fucked, but some of the rules exist for good reason, and forcing everyone to release their copyrights if they won’t sell their art is ridiculous. I will certainly agree that the copyright/trademark systems badly need an overhaul.
All the examples you have brought forward apply to private individuals. This is about cooperations and companies. Those very different legal entities.
That is not what some people here are saying, they want everything put out for copyright to be public domain. What’s hilarious is, that’s exactly what the AI hoovers want, they want everything anyone else makes. Especially the unique and creative artists. So these people in this thread want the same thing as these huge corporations everyone here hates.
You completly misunderstood what you are replying to. They are not saying you have to release anything, just that if you don’t, others should be able to.
If you don’t actually offer content you have the copyright for them you shouldn’t be allowed to prevent people from distributing it as abandonware.
That’s what I’m replying to. You have the copyright for everything you create. If you don’t put it up for sale, they’re saying everyone should be allowed to distribute it. That’s kind of fucked.
I fail to see what’s wrong with that. If you aren’t intending to sell it, then it’s just hoarding. The only exception I can think of is something you’ve made but haven’t put on the market yet, and an “incomplete and under active development” clause could easily take care of that.
So you spent 10 years on a personal song about your family dying around you, it’s very personal, heartfelt and could be extremely successful because it’s said in a way that people won’t at first understand. You play it for your friends and they absolutely love it and encourage you to put it out. You don’t want to because it hurts too much. So you think everyone else has the "right"s to that song because it’s hoarding if you don’t release it? Come on, you don’t own my thoughts and creations, it’s selfish, greedy and a little narcissistic.
The comment I made on reply to another comment hits here as well
We can think of weird edge cases all day, the fact is companies shouldn’t be able to hoard IP.
For fuck’s sake though, talk about strawman arguments. “Literally every doodle you make” when we’re talking about abandonware. My eyes nearly rolled out of my fucking head reading that. Do I need to start putting disclaimers on every post I make? “I am aware there is more nuance required before a law gets suggested but I sure wish companies couldn’t hoard old media without making it available, please don’t ‘um, actually’ me by suggesting I’m implying everyone must give me copies of their personal shopping lists.”
I would add creation within an IP to this as well. There are so many good IP out there that some large company has devoured and actively chooses to just sit on when we could be getting good fan-made content. One example that comes to mind since it was brought up is EA sitting on American McGee’s Alice. So many fans are desperate for good content from their favourite IPs and are getting corporate by-the-numbers drivel at best or simply nothing.
I think a good trade off here is fans can make what they want then the owners are allowed to incorporate fan stories at their choosing so X fan game would be the official third game in a franchise then the IP owner could run with those ideas to make the fourth entry, for example. It’ll never happen but one can dream.
To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.
Not ‘to grant them greater control’ or even ownership. To secure exclusive right for a limited time. And this only because it was meant to promote science and art.
Using copyright to prevent a work from spreading is a direct perversion of the intent, it is using it in a manner diametrically opposed to what it is supposed to do.
Then they have the right to not continue publishing their stuff. That doesn’t affect the rights of the persons who already got their copy alongside the associated rights to consume it. Depending on the licensing terms, it might not even affect their granted right to redistribute, if any.
Canada either did, or still does, have a law like this. Years ago back when getting chipped cards for satellites was a pretty big thing, a lot of people near the US border could get ones from the US that weren’t available in Canada and get the chipped card or whatever it was. At one point the company made a request to the Canadian authorities to crack down on it, and the response was something to the effect of ‘your product isn’t available here, you don’t have standing to ask us to do that’.
It’s easier to define it as this:
If you commercially release something and region restrict it, people in any region where you don’t also provide a legal way to purchase/use it should be free to get it however they want.
This would just incentivize malicious compliance. “here’s a list of books we own. To purchase, send a letter to this address with a cheque and wait 30 to 60 days”.
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⚓ Dedicated to the discussion of digital piracy, including ethical problems and legal advancements.
Overhauling copyright is not the same as getting rid of copyright. How about those artists that make original art, graphic novels or movies, how are they supposed to sustain themselves? Are you saying that the copyright is held too long?
Generally speaking all the money is made in a very short time after release compared to the life of copyright
So? If you spent years making a movie, don’t you think you should keep the rights for the movie for awhile? I have many friends that have careers with their style of art.
I’m not against piracy in general, you should absolutely go after the evil corporations. I’m saying that for the small time artist, they need protections.
Yeah but it’s too long
I’m fairly sure that at this point pirating has been shown to lead to increased sales, even of small scale productions.
Also, no one said that people can’t keep the rights for a while, just that if you don’t let people access those things you don’t get to prosecute them for making the art available.
I personally think so. 20-30 years for the authors would be enough, in my opinion. For company held copyright, it should be 8-12 years, counting from the date of creation - transferring the rights back to an individual would NOT give any extra time
That’d make basically every game and movie become public domain after a decade or so. If you applied 30 years of copyright to everything, nowadays we’d have public access to every game released up to 1994, which means the majority of the SNES and Mega Drive/Genesis catalogs.
Too bad any change wouldn’t apply retroactively, so we’d still have to wait for the 2030s to come by before 1940s stuff becomes public domain.
These changes could be applied retroactively; this isn’t like creating an ex post facto law and then jailing people for breaking a law that didn’t exist at the time of the event.
I agree with 20-30. Stuff I’ve sold 20 years ago I’m not going to touch again ever. If someone gets creative with it , go for it. In my opinion.
It can be a tough call depending on what type of creation it is. I’m more undecided on how to limit ongoing properties. Life of creator? I don’t know. That’s tough.
Technically unlimited, but with an exponentially increasing annual registration fee.
I think for ongoing properties, it could create an interesting competition between different companies/artists, and I’d expect the original creators to fully cash in on “I’m the creator of [whatever], this is the real canon!” in order to keep loyal customers/fans
I fully expect game companies to not like this one bit, because live service games, like World of Warcraft or Fortnite, would, sooner or later, have to release source code in the public domain, allowing anyone to check it, create identical, better or worse clones or, worse, hacking tools that might still work on the more current version.
For stuff like the current offering of Adobe that relies so fucking much on “the cloud”, now that would be tricky and another significant battle, as they’d eventually have to give up the code for Illustrator, Photoshop, etc, as well as whatever server software their cloud uses, or point to said cloud’s owner. The same would apply for Autodesk, Corel, Microsoft, Apple and Google. Imagine finally having an open source Windows XP! 😆
EDIT: What is a lot more likely to become problematic is server-side bank software and some government software that is used for a country’s respective army or intelligence services. Boy, THOSE will definitely fight, or want a very specific clause for their cases, which makes sense.
The purpose of copyright is to promote science and the useful arts. The purpose is to get art and inventions into the public domain. The purpose is not “to get artists paid”. Getting them paid for their works and discoveries is the method by which copyright achieves its purpose. It is not the purpose itself.
If they are only interested in keeping their works proprietary; if they are uninterested in pushing them into the public domain, they are not achieving the purpose for which copyright exists. They do not qualify for copyright protection. They can get bent.
Says someone that has never made anything. Do you think art, music, etc. comes magically out of nowhere? I don’t really care to fight about what the original intent of copyright is, artists and every person should own their own bodies, likeness, voices and creative outputs.
Then you can get bent.
Art and invention benefit the whole of humanity. A work whose sole beneficiary is its creator does not qualify as art or invention, and deserves no protection.
The current copyright system is absurd, but protecting an artist’s work in the short term is what copyright was meant for originally. 70 years post death is way beyond ridiculous, but something like 5 years from conception makes sense. That way a creator gets a short period to profit off their work while it’s protected, and then it would enter public domain and anyone could do as they wish with it.
Unfortunately it would still allow a situation where someone presents a screenplay to a studio, and gets turned down, and then 5 years later the studio makes a movie from that screenplay and makes a billion dollars without the creator getting anything from it. That’s what copyright is meant to prevent, but it has definitely gotten twisted and corrupted over the years, mostly thanks to Disney.
Exactly. I don’t have a problem with artists profiting from their work. I don’t have a problem with their temporary exclusivity. The problem I have is when they never intend for that work to belong to the people; when they think they can maintain control over an idea long after it has become “culture”.
For the problem you mention, I would suggest that any studio who has been offered the work during the five year period owes royalties for a 5-year period after the studio publishes the work, even if it has since entered the public domain. Something along those lines would likely become a standard clause between the screenwriter’s guild and the studios, and doesn’t necessarily need to be enacted in law.
I wouldn’t be opposed to a longer period for some major works. Start with a standard, 5-year period from the time of original publication, then allow an extended copyright registration with an exponentially increasing annual fee. A few additional years would likely be affordable. The fifth, possibly. The sixth, only for the most profitable franchises, and the seventh being a large fraction of the national GDP. If James Cameron wants to pay for the entire military establishment through the proceeds of Avatar III, he can get one more year of protection.
On the flipside, I think the Internet Archive should stick to archiving stuff. “Lending out” books without asking for permission and without owning the copyright, isn’t the best move. And I don’t think it’s aligned well to the core concept of the Internet Archive.
Btw what are thoose 1300 “banned” ones?
Fun times would be to prevent companies owning copyright.
How long do you think copyright should be? It was originally 14 years in the United States.
https://www.copyright.gov/history/copyright-exhibit/lifecycle/
The max that I would ever be happy with is 25, but 20 or 17 preferred for me at least. I think it gives plenty of time for a Series completion.
Robert Jordan and George RR Martin disagree.
Do you have any exact statements from them? Because I would like to know more.
I rarely hear about authors/artists talk about copyright other than, when they talk about what license they use or them complaining because they felt that their work wasn’t infringing on other artists copyright since it was transformative.
Robert Jordan took a long time finishing his Wheel of Time series- he actually died and Brandon Sanderson had to write the last three books
GRRM is still writing his series.
My point is that they would say that time proposed is not enough because they take a long time to write.
Additional context:
Robert Jordan’s first book for the Wheel of Time series, The Eye of the World, was published in 1990. His last book, A Memory of Light, was published in 2013. He died in 2007 and a lot of fans, me included, thought the series was also dead but Jordan’s wife brought on Sanderson to finish it. And he did such a great job writing in Jordan’s style that some think he did Jordan better than Jordan did.
GRRM wrote A Game of Thrones which was published in 1996 which is the first book of A Song of Ice and Fire. His latest book in the series, A Dance with Dragons, was published in 2011 and only book five of seven proposed books for the series. Three series was originally going to be a trilogy so we’ll see if it ends at seven. The Wheel of Time series was also supposed to be a trilogy when Jordan started it.
That’s simple: have the earliest works released into the public domain, while he keeps squatting on the newer and promised ones.
I feel like someone not releasing anything but squatting IP rights for 13 years is a poor argument for longer copyright terms.
No easy solutions but my general guideline would be that both copyright and patents should never last more than half the retirement age of a current generation, calculated via actuarial tables or some trustable scientific method.
The rationale is simple: the ultimate purpose of both is (or, well, should be) to promote creation so that society in general can be participant of the resulting effects. Half the retirement age not only is a good compromise between giving creator control and giving at least half of society the opportunity to enjoy the public good result of creation within their lifetime and within their fair opportunity to earn wages, in particular in such cases as eg.: big pharma and medications, but also promotes that big creators, such as corporations, act towards the public good of lengthening life and providing good living standards for the rest of society.
The Internet Archive reached too far with the lending aspect. While the goal of sharing is laudable, no one was really surprised by this decision. 🏴☠️🦜
The books they shared still had DRM on them. As we all know, if it has DRM you don’t own it. They never gave away any book, so I don’t see what they did wrong.
Good we still have annas-archive.org the internet archive is sadly not enough for humanity.
If the publishers win, I hope every book they publish as long as they exist gets torrented into oblivion leading authors to ditch them in favour of self publishing
You should be legally required to offer content you have on a copyright or else allow people to “pirate” it. The same way you must defend trademarks. If you don’t actually offer content you have the copyright for them you shouldn’t be allowed to prevent people from distributing it as abandonware.
So literally every doodle you make and anything you write must be available for purchase? Because you have a copyright on ALL that stuff. Copyrights are automatic.
Your diary? Copyrighted.
Your margin scribbles while you’re on the phone? Copyrighted.
That furry midget hentai that you draw for your own “entertainment”? Well, you get the point.
Granted, the copyright system is fucked, but some of the rules exist for good reason, and forcing everyone to release their copyrights if they won’t sell their art is ridiculous. I will certainly agree that the copyright/trademark systems badly need an overhaul.
All the examples you have brought forward apply to private individuals. This is about cooperations and companies. Those very different legal entities.
That is not what some people here are saying, they want everything put out for copyright to be public domain. What’s hilarious is, that’s exactly what the AI hoovers want, they want everything anyone else makes. Especially the unique and creative artists. So these people in this thread want the same thing as these huge corporations everyone here hates.
You completly misunderstood what you are replying to. They are not saying you have to release anything, just that if you don’t, others should be able to.
That’s what I’m replying to. You have the copyright for everything you create. If you don’t put it up for sale, they’re saying everyone should be allowed to distribute it. That’s kind of fucked.
If its personal or internal only copyright wont’t matter since no one will have it to release it.
Just don’t give it out.
I fail to see what’s wrong with that. If you aren’t intending to sell it, then it’s just hoarding. The only exception I can think of is something you’ve made but haven’t put on the market yet, and an “incomplete and under active development” clause could easily take care of that.
So you spent 10 years on a personal song about your family dying around you, it’s very personal, heartfelt and could be extremely successful because it’s said in a way that people won’t at first understand. You play it for your friends and they absolutely love it and encourage you to put it out. You don’t want to because it hurts too much. So you think everyone else has the "right"s to that song because it’s hoarding if you don’t release it? Come on, you don’t own my thoughts and creations, it’s selfish, greedy and a little narcissistic.
The comment I made on reply to another comment hits here as well
For fuck’s sake though, talk about strawman arguments. “Literally every doodle you make” when we’re talking about abandonware. My eyes nearly rolled out of my fucking head reading that. Do I need to start putting disclaimers on every post I make? “I am aware there is more nuance required before a law gets suggested but I sure wish companies couldn’t hoard old media without making it available, please don’t ‘um, actually’ me by suggesting I’m implying everyone must give me copies of their personal shopping lists.”
How about reword it slightly: it must be available for purchase if you want to use IP law to prevent others from distributing it.
I would add creation within an IP to this as well. There are so many good IP out there that some large company has devoured and actively chooses to just sit on when we could be getting good fan-made content. One example that comes to mind since it was brought up is EA sitting on American McGee’s Alice. So many fans are desperate for good content from their favourite IPs and are getting corporate by-the-numbers drivel at best or simply nothing.
I think a good trade off here is fans can make what they want then the owners are allowed to incorporate fan stories at their choosing so X fan game would be the official third game in a franchise then the IP owner could run with those ideas to make the fourth entry, for example. It’ll never happen but one can dream.
What if you create something that you later really hate and don’t want it to exist anymore?
We can think of weird edge cases all day, the fact is companies shouldn’t be able to hoard IP.
What if Tommy Wiseau became self-aware before the premiere of The Room? The world would be deprived of his glorious travesty of cinema forever.
Too fucking bad? The purpose of IP was to give the public access to novel ideas and art, not to increase the control creators had over it.
Seems weird for it to be called “intellectual property” if its purpose is not to be owned
Not ‘to grant them greater control’ or even ownership. To secure exclusive right for a limited time. And this only because it was meant to promote science and art.
Using copyright to prevent a work from spreading is a direct perversion of the intent, it is using it in a manner diametrically opposed to what it is supposed to do.
By having a Right to do something, a person also has the implicit Right to abstain from doing something.
Having the Right to Free Speech doesn’t mean that a person is obligated to make publicly available every thought and opinion that they have.
Then they have the right to not continue publishing their stuff. That doesn’t affect the rights of the persons who already got their copy alongside the associated rights to consume it. Depending on the licensing terms, it might not even affect their granted right to redistribute, if any.
I was arguing against the comment that said:
Canada either did, or still does, have a law like this. Years ago back when getting chipped cards for satellites was a pretty big thing, a lot of people near the US border could get ones from the US that weren’t available in Canada and get the chipped card or whatever it was. At one point the company made a request to the Canadian authorities to crack down on it, and the response was something to the effect of ‘your product isn’t available here, you don’t have standing to ask us to do that’.
It’s easier to define it as this:
If you commercially release something and region restrict it, people in any region where you don’t also provide a legal way to purchase/use it should be free to get it however they want.
I likebthat, but I think this misses the part where a company pulls it from all markets, which should be states specificly.
If you don’t offer it anymore, you are not allowed to keep the copyright or patent.
Only if they ever offered it at all. Kind of ‘once you put it out there, it’s out there’
This would just incentivize malicious compliance. “here’s a list of books we own. To purchase, send a letter to this address with a cheque and wait 30 to 60 days”.
Or just have that book available in libraries.